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Part 1

I am an author and as such, I view life through the eyes of a creator, a creator of realities, plots, and characters. What you are about to read is an understanding so big that it is difficult to even put it into words, and although I got a glimpse of it years ago, it wasn’t until I sat down to write this blog post that it became so profound as to expand my understanding beyond anything I have previously known.


THE ADVENTURES OF…the mystery of….the tales of….You name it and there is a story about it. So, why do we love stories? Why do we create stories? It’s because we love adventure. We love discovery. We love excitement (albeit, all of us love it on different levels). We love to dream and to imagine, to wonder. That’s why we’re drawn to what we don’t know, what we haven’t experienced. Imagine that you came into life already knowing the entire storyline and there was nothing for you to discover or wonder about or uncover. What if there were no adventures or mysteries? Nothing would excite you because you’d already know everything. It’d be like living in a rerun. Helen Keller once said that life is a grand adventure or nothing at all. She was blind and deaf, yet she could hear and see on a level that many never reach. So, the joy of writing a story is in watching the characters evolve, discover, and explore. What if these characters were more than figments of the author’s imagination? What if they were sentient? What if I could give them life and the ability to make their own choices and to write their own stories? Now THAT would be interesting!


If the characters in one of my novels could talk to you, they would speak only from the perspective of their world, which is held within the confines of the manuscript that I, the omnipotent creator of their reality, have written for them. They would have no idea that they are simply extensions of my imagination, unless of course, I gave them the ability to know me and the freedom to choose whether to trust my judgement as to how to best complete their stories.  

If I could give sentience to my characters, I would love them as if they were my children and there would be nothing I wouldn’t do to help them love their own stories, to enjoy their grand adventure through their book of life. So, why would I do this? For my good pleasure or well, just because I wanted to create something THAT amazing. But what would be the best way to make them aware of my existence and give them the chance to interact with me?


I could just create them with complete understanding and knowledge, but then they would miss out on the experience of knowing what it is like to begin a story as flat characters and then to become aware of the fact that they are more than just computer bites or ink on paper, or figments in a dream, lifeless with no control over what happens to them. They would miss out on the experience of “waking up” and realizing that they are literally sent into the story to play there and discover much like children are when going to a new playground. They would miss out on the discovery of learning that they are co-creators with me and that I am giving them whatever they ask for in their stories. They would miss out on knowing the joy that comes with “waking up,” and discovering who they really are.

I could drop hints that might help them wake up. Maybe, throughout the unfolding of the plot, especially in the early chapters, I would interject myself into the story so that some of the characters got glimpses of me. These characters might try to tell the others what they had seen and heard and understood, but they’d be limited to the language of the story. So, the things they said would often be misunderstood. Of course, some of them would form crazy ideas about me, based on a partial picture, because after all, they are sentient. They might make up all kinds of rules about who gets to receive their special knowledge and the rules might become more important than the adventure of the story itself. They might spend their entire time in the story, making up rules and trying to tell other people how the story is supposed to unfold. Some of them would try to force the other characters to act the way they wanted them to, threaten, guilt, manipulate and control them into doing so. They could even take to writing each other out of the plot (killing one another off). I could intervene, but that takes away the free will that I already chose to give them.


I suppose the best way to communicate who I really am and that I really want to see them create and have fun doing it would be to write a unique and special kind of character, a representative of myself! My special character, because he or she knows exactly who I am and what I really want would do things that defied the laws that other characters had written into the book, because those laws were written with limited understanding.

This character to whom I would give complete knowledge and memory of being with me and a part of me before coming into the world of the story would be a creation the same as all the others and would live in the same confinements of the book. However, this character would understand that he or she and all the other characters existed outside the book within me before they came into the story. This character would know that they came into existence because I wanted to create them and give them life and let them experience the joy of waking up. Even more than that, he or she would know that I not only wanted to give them life, but the ability to choose what kind of life they would live.


OF COURSE, the role of this character would be to tell the others about me and how I was gifting each of them with the power to create their own stories. If they choose to create with their limited understanding of what is true by refusing to believe that I exist and thinking that what’s in the book is all that there is; then they are on their own, and their stories might not be what they really want, because they can’t see what’s up ahead and how all the pieces of the plot fit together, but if they ask me for guidance, I will intervene and steer them away from consequences that they want to avoid. I will gladly use my literary expertise and help them write a fantastic life story.

I would have my special character share the message with a few of them and then I’d take him or her out of the book, because they will spread the message in the following chapters. And if they understood what I was telling them through my special character, they would discover that they, too, were extensions of me and that I had given them the ability, the power, to change the plot of their stories and shape them in ways that they really wanted. Once awakened to what they are truly capable of, they would be so happy and joyful in the discovery that they would want to share it with others. There would be some, of course, who weren’t awake but were astonished by those who were, so they would make up more rules and laws and ways of doing things to teach others how to be aware.  


THIS SPECIAL CHARACTER coming into the story with full knowledge would already know how the story was going to play out. He or she might know that many wouldn’t believe the message that I was giving them the power to create themselves. They might be so bent on staying within the confines of the book that they create all kinds of havoc, even to the point of killing off the special character that I sent into the story, but me, being the omnipotent author, could resurrect that special character and re-insert him or her into the story with not only the message that I exist but proof that I can do anything, because in relation to their reality, I have no limits. I would want them to understand through this that “death” is an illusion. It is not an ending. It is only an exit from the story. Death is the beginning of a new kind of existence, one with limitless understanding and because there is limitless understanding, there is no sadness, no fear, no hate. So if one of my characters were to ask me for assistance, no matter how jumbled their story has become, no matter how out of alignment with what they really want for themselves it has gotten, no matter how much of it they’ve let other characters write, if they ask me to help them straighten it out, I will gladly intervene, and it would be so much fun for me to talk to my characters and have them talk to me. What could be more delightful to a creator than to have a living creation to whom you have given sentience, communicate and co-create with you?! The only thing that could even come close to that feeling on earth is doing things with your kids and seeing delight and discovery on their faces. In that way, I, the original creator of the story, would be a parent to all my characters and I would be their source and the answer to every dilemma they might encounter, but I would honor the free-will that I had given them and not force them to do anything. However, if they ask me to help them write the plot, because I see the whole book from cover to cover and I know the best course of action for them, then yes, I will rework the plot on their behalf and work things out for them.


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